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Monday, 29 December 2025 08:11 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
skygiantsThe Queen's Embroiderer: A True Story of Paris, Lovers, Swindlers, and the First Stock Market Crisis did quite a good job of giving me historical context around the lives of artisans and upwardly mobile bourgeois in 17th and early 18th century France and only a mediocre job IMO of convincing me of its central argument, but I was reading it for the former and not the latter so I can't say I was disappointed per se ...
As the author, historian Joan DeJean, introduces her narrative, she was browsing the National Archives when she came across two documents: the first, appointing Jean Magoulet as official embroiderer to Queen Marie-Thérèse of France; the second, decreeing that Magoulet's daughter Marie Louise should be put in prison and deported to New Orleans on charges of prostitution. DeJean immediately dropped what she was doing to Get To The Bottom Of This and went on a deep dive into the entire Magoulet family as well as the family of Louis Chevrot, the young man whose involvement with Marie-Louise resulted in the charges above.
In order to write this family saga, Jean DeJean has pulled out every relevant family document -- marriage licenses, birth certificates, guardianship statements, recorded purchases, etc. etc. -- and she does a clear and interesting job of explaining what we can learn from them, what these kinds of documents normally look like and what their context is, what the specific features of these family documents imply, and letting you follow her logic with your own brain. I appreciate this very much! I had no idea, for example, that it was standard in 17th-century France for the court to appoint a guardian for any child who lost a parent, even if they still had the other parent living, to ensure that their financial interests were protected, something that came up often in this narrative where a lot of kids were losing parents in situations where their financial interests were not particularly protected. It's a really good example of historical detective work, how you can draw a picture of a family through time through the bureaucratic litter they leave behind, and I appreciated it very much.
On the other hand, Jean DeJean also occasionally slips into writing like this --
In the course of their attempts both to get rich quick and to save their skin when they got into bad straits, the Queen's Embroiderers became imposters, tricksters, con artists nonpareil. They lied about everything and to everyone: to the police, to notaries, to their in-laws. They lied about their ages and those of their children, about their professional accomplishments and their net worth. They caroused; they philandered; they made a mockery of the laws of church and state. The only truly authentic thing about them was their extraordinary talent and their ability to weave gold and silver thread into the kind of garments that seemed the stuff of dreams. In their lives and on an almost daily basis, haute couture crossed paths with high crime.
Savage beauty indeed.
-- which made me laugh out loud every time it happened. So, bug, feature? who could say ....
Anyway, Jean DeJean makes a pretty good argument for most of the family gossip she pulls out about the Magoulets and the Chevrots, but the center of her argument about the Great Tragic Romance between Marie-Louise Magoulet and Louis Chevrot rests on a really elaborate switcheroo that I simply do not buy. In drawing out her family saga, DeJean has become obsessed with the fact that there seem to have been two Marie-Louise Magoulets, one being more than a decade older than the other, and, crucially, also more than a decade older than Louis Chevrot; ( I guess this is technically spoilers for a three hundred year old scandal )
But a.) context about material culture and craftsmanship is what I was here for and context is what I got, in spades, and b.) if you're going to invent a historical conspiracy theory, make it as niche as possible, is what I say, so despite the fact that I don't BELIEVE DeJean I still spiritually support her. Has she perhaps connected a few more dots than actually exist? Perhaps. But I still certainly got my money's worth [none; library] out of the book!
As the author, historian Joan DeJean, introduces her narrative, she was browsing the National Archives when she came across two documents: the first, appointing Jean Magoulet as official embroiderer to Queen Marie-Thérèse of France; the second, decreeing that Magoulet's daughter Marie Louise should be put in prison and deported to New Orleans on charges of prostitution. DeJean immediately dropped what she was doing to Get To The Bottom Of This and went on a deep dive into the entire Magoulet family as well as the family of Louis Chevrot, the young man whose involvement with Marie-Louise resulted in the charges above.
In order to write this family saga, Jean DeJean has pulled out every relevant family document -- marriage licenses, birth certificates, guardianship statements, recorded purchases, etc. etc. -- and she does a clear and interesting job of explaining what we can learn from them, what these kinds of documents normally look like and what their context is, what the specific features of these family documents imply, and letting you follow her logic with your own brain. I appreciate this very much! I had no idea, for example, that it was standard in 17th-century France for the court to appoint a guardian for any child who lost a parent, even if they still had the other parent living, to ensure that their financial interests were protected, something that came up often in this narrative where a lot of kids were losing parents in situations where their financial interests were not particularly protected. It's a really good example of historical detective work, how you can draw a picture of a family through time through the bureaucratic litter they leave behind, and I appreciated it very much.
On the other hand, Jean DeJean also occasionally slips into writing like this --
In the course of their attempts both to get rich quick and to save their skin when they got into bad straits, the Queen's Embroiderers became imposters, tricksters, con artists nonpareil. They lied about everything and to everyone: to the police, to notaries, to their in-laws. They lied about their ages and those of their children, about their professional accomplishments and their net worth. They caroused; they philandered; they made a mockery of the laws of church and state. The only truly authentic thing about them was their extraordinary talent and their ability to weave gold and silver thread into the kind of garments that seemed the stuff of dreams. In their lives and on an almost daily basis, haute couture crossed paths with high crime.
Savage beauty indeed.
-- which made me laugh out loud every time it happened. So, bug, feature? who could say ....
Anyway, Jean DeJean makes a pretty good argument for most of the family gossip she pulls out about the Magoulets and the Chevrots, but the center of her argument about the Great Tragic Romance between Marie-Louise Magoulet and Louis Chevrot rests on a really elaborate switcheroo that I simply do not buy. In drawing out her family saga, DeJean has become obsessed with the fact that there seem to have been two Marie-Louise Magoulets, one being more than a decade older than the other, and, crucially, also more than a decade older than Louis Chevrot; ( I guess this is technically spoilers for a three hundred year old scandal )
But a.) context about material culture and craftsmanship is what I was here for and context is what I got, in spades, and b.) if you're going to invent a historical conspiracy theory, make it as niche as possible, is what I say, so despite the fact that I don't BELIEVE DeJean I still spiritually support her. Has she perhaps connected a few more dots than actually exist? Perhaps. But I still certainly got my money's worth [none; library] out of the book!
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